Category Archives: Writing

In which I discuss my writing process, including research and related issues.

AIs as the moral equivalent of nuclear weapons!

Listening to these videos on risk assessment in AI is weird. In this video, the risk assessment researcher, again Robert Miles, addresses an interview that Elon Musk gave on the dangers of autonomous military killbots. One of the things Musk said is he desired AI to be “democratized.” The researcher takes a different path and says that because of the many risks involved in artificial general intelligence, it should be developed solely by responsible parties. Like with nuclear weapons.  That’s his analogy, not mine.

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What we learn about scientific ethics from the Manhattan Project relative to artificial general intelligence

For a way to understand how business and the military treat scientific ethics, the best, clearest case is the Manhattan Project.  When discussing the project, it is important to remember that the program wasn’t to “develop an atomic bomb.” But to “develop an atomic bomb before the Nazi project produced one.” The potentially civilization-ending powers of the weapon were known. And, obviously, in a world where wooden bullets and poison gas were forbidden on the battlefield, something as horrific as an atomic bomb must be, right?

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The Biggest Risk Concerning Artificial General Intelligence Is…

Doing research into AI for a project, which is part of the reason why I’m so interested in AI art and language as it is pretty much the only AI stuff that I can get my hands on, I have come to believe the biggest threat from AI is the tendency for scientists to ignore who funds their research and why.

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Artists Get What They Want, Good and Hard

You can’t put the genie back in the bottle, no matter what you do. There were warnings about the harm mechanization can do to industries, but artists figured, oh, not us. We’re different. Our work encapsulates the soul of humanity, and therefore, we can’t be replaced! Most artists – in all fields – were absolutely silent when mechanization and computerization devastated blacksmiths, glassblowers, woodworkers, and so many others whose styles and skills were plundered by industrialization for the profit of large corporations. They were also silent when AIs were being crafted for other fields that were about to face the chopping block of computerization. Truck drivers and cashiers weren’t artists, what they did wasn’t like art, despite the absolute centrality of those jobs for human civilization to continue to exist. No one eats without truck drivers handling cargo and cashiers selling it to you, not until they are replaced by machines.

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Creating alternate timelines is weird

Like, narratively weird.  As a sci-fi writer, the thing that gets into my head is… where does the energy come from?  A fair number of sci-fi stories – and this has been brought on by me (trying) to read William Gibson’s Agency – a future alternate timeline has a bit of a cottage industry of going back in time and messing stuff up to “see what happens.”  It is established that these alternate timelines are physically real and distinct.

So, every time some hobbyist gets an inch, they can go and create – materially, physically create – an alternate timeline?

WHERE DOES THE ENERGY COME FROM?!   How is all the free energy not the biggest point of all of this?!

Ahem.  That is all.